“We don’t want to be thought of as one-trick ponies.” “We wanted to make a record which people couldn’t pigeonhole too easily,” Guy Berryman later said. “We reached a stage where we thought we can’t get much bigger,” Chris Martin said, “so we have to try and get better.”Īfter building their own recording studio, The Bakery, in Hampstead, North London, in late 2006, the group invited string arranger and composer Davide Rossi and producer Markus Dravs in to help them lay down some demos while they plotted their next sonic reinvention. Rather than repeat the same winning formula of their previous album, X&Y, frontman Chris Martin, bassist Guy Berryman, guitarist Jonny Buckland and drummer Will Champion sought to inject more dynamism and colour into their sound in order to fully realise their potential. It says a lot about Coldplay’s work ethic that, despite already being one of the biggest bands on the planet, they knew they had to evolve with Viva La Vida Or Death And All His Friends. The backstory: “We wanted to make a record which people couldn’t pigeonhole too easily” Here’s the story behind this iconic album, including how producer Brian Eno played a pivotal role in Coldplay’s reinvention, and how Viva La Vida Or Death And All His Friends evoked the spirit of revolution and held up a mirror to the world in the late 2000s. While still maintaining anthemic hooks and melodic appeal that characterised the best Coldplay songs, the album saw songwriter Chris Martin incorporate classical-inspired arrangements and the eclecticism of world music into his songs, drawing upon lyrical themes inspired by real-life historical events. Beyond its commercial success, however, Viva La Vida Or Death And All His Friends also reflected the political and social climate of its time, directly addressing themes of war, revolution and personal struggles.
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